May 22, 2010

murmers of ideas


I've been struggling with how to talk about the new pots from the last wood firing. I think that it isn't so much that I can't speak about them or don't have an opinion but rather that I have a huge amount to say about them and can't seem to pear it down to a manageable mouthful. Here are a few of the pots and I'll try to be brief. The first is a sweet little tea pot which was one of only a few of my pieces that ended up with a blast of cooling crystals on the fireside face. We crash cooled the kiln for about 20 minutes before starting the reduction cooling cycle. This was probably more an over sight than a mistake as we bunged up the kiln. This produced a crusty crystalline structure on the surface of many of the pots on the fire face of the first shelf.
These are the fireside and leaside of this bottle. Notice how there was lots of bounce back of the flame on the back of the bottle to give the fantastic reduction cooled swirls. These pics don't do the depth of colour in the surface justice. There are reds, yellows greens and blues and mingling together to form a massive amount of surface variation and movement.

old forgotten friends




This weekend melinda, alec and i headed up to the Ottawa valley to see my folks. As all good parents do they keep around the things their children have made. Over the years I have made many things but most proudly displayed seem to be my pots. Many of these I haven't seen or maybe noticed in a long long time. Somehow with the latest wood firing out and all of the pondering I'm doing about surface and direction of my work these pieces spoke to me again. Perhaps it is the full circle I've taken back to wood firing, or maybe just noticing them again but they remind me of why I do this. The simple forms informed by quiet nights of firing with good friends, good wine and good conversation. These all date back ten years to my Sheridan days.

I wonder sometimes about how ideas or notions get into our thinking. I've often wondered how I was drawn so strongly to making pots. Looking around my moms place made me realize that I've always been surrounded by them especially old ones. Here is one of my favorite of her collections, check out the fantastic old Quebec stoneware gallon jug!

May 11, 2010

unloading


I think this firing will be something that I talk about for a long time. These pots for the first time in a long time make me choose my words carefully. They make me wonder what words to use let a alone use them, and when it come to describing the work solely with words I am left slightly speechless.

Instead of going on about what happened during the opening of the kiln, I think i'll show a few photos and that will speak for itself. The first is the crew unbricking the door and then taking out the remaining ash left in the firebox. The following are in order from front to back stack of the kiln as it came out. I'll post more photo of the pots themselves as I am able to talk about them.


The last is of Cam Fishers large jar which was the top of the last stack. It went in raw and with nothing on the surface.....

May 1, 2010

and so it ends





well it is suddenly finished! after weeks of prep and a whole week of frantic work and driving, it is all finished. Now we need to wait and contemplate what we have done until friday, when we can see if the labour was worth it.
A quick bit about the firing.
-We started the fire on monday morning at 4:30 am
-small fire for a whole day then a slightly larger one until we were into full on stoking by wed.
-Wed morning we were at about cone 6 in the front and not yet cone 04 in the back
-thurdays' evening / over night we were at cone 11 in the front and 9 in the middle, with six almost down in the back

-by friday at 2 we were at cone eleven in the front and middle and not at 9 yet in the back,so we started side stoking

-friday night we cranked the stoke up a bit and dropped 9 and ten in the back as well as 12 in the front

saturday at 7:30 am we filled the fire box to over full and closed up the kiln and bunged up all the peeps and ports as well as any cracks in the door
we down fired in reduction til I left at 1 pm and were planning on continuing til into the evening

and now we wait.....

April 26, 2010

who needs sleep...


well the firing has started. Late is better than not happening so life is good!

As I arrived last night at 10 pm for my shift of starting the fire, I noticed that there were people standing in the kiln! My fears were confirmed as I approached through the dark that in fact they were still loading and had two thirds of the front stack still to go. As always I pitched in as much as possible.

By 11, Chris had to go home and Louise went off to sleep as she was to take a shift at 2- 7. They had managed to get one more shelf in by then.

A very tired Cam and I worked hard an had the rest loaded by 3 am. and the fire in the bottom of the chimney going by 3:30.


This left the door to be bricked up which took about another hour.

The fire box was lit by 4:30, I was off to sleep!

I had a lovely wake up call from my son Alec at 7:30 and headed back out to take my shift til 1pm. This morning was breezy and cold, but the farm is looking wonderfully inviting this time of year.

Here's a pic in the door and lets try a video!


April 25, 2010

and so it begins





well loading the kiln has started, and should as i'm writting this be finished. Here are a couple of pics of the start of the back stack and also of the new stoke door. We have new main fire box and side stoke doors for this firing. Hopefully they are easier to use than the last ones. These should lift off very easily as the others were heavy and sometimes a bit stuck!




here is a pic of the inside of Chris Lass's new studio. It is a turn of the century post and beam barn! So jealous!

April 20, 2010

cups, cups, cups




I've started to glaze for the firing this coming week and have realized that I have a mountain of work ready. I guess I am going to have to edit what I really want fired. Before I realized this I went ahead and made twenty more cups! Guess I'll have some left overs. Oh well they can be put through the reduction kiln and add to the inventory for All Sorts Gallery.
I'm also realizing it is a good thing I have at least a small SUV because it it is going to be full to the gills with pots to take to the firing. Two large crates of bottle vases barely put a dent in the work to be packed up.Here is another pic of the new work, I'm working on labeling for the new gallery.